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DOI

10.21143/jhp.vol56.no.2.2340

Abstract

The development of Artificial Intelligence in the music industry raises new legal challenges within copyright law, particulary regarding the use of copyrighted musical works as training data for AI algorithms, AI training processes typically involve digital reproduction, dataset storage, and musical pattern extraction, often conducted without consent or attribution, thereby posing risks to the protection of authors moral rights. This article examines whether AI training activities ca be legally classified as reproduction under Indonesia’s Copyright Law (Law No. 28 of 2014) and analyzes their implications for the protection of moral rights. Using a normative legal research method with statutory, conceptual, and limited comparative approaches, particularly referencing the European Union’s regulation of Text and Data Mining and AI governance. This study finds that AI training processes normatively fulfill the elements of reproduction, both temporary and permanent. Furthermore, such practices result in systemic neglect of author’s moral rights duet o the loss of attribution and the opacity of algorithmic system. The article argues that Indonesia’s copyright framework including the 2025 Draft Copyright Bill, remains largely output-oriented and does not adequately regulate the use of copyright works as input for AI training. Therefore, a legal reform is necessary to explicitly recognize AI training as a form of copyright relevant use to ensure effective protection of authors moral rights in the artificial intelligence era.

Bahasa Abstract

Perkembangan Kecerdasan Artifisial dalam industri musik menimbulkan persoalan hukum baru dalam rezim hak cipta, khususnya terkait penggunaan karya musik berhak cipta sebagai data pelatihan algoritma. Proses pelatihan algoritma umumnya melibatkan penggandaan digital, penyimpanan dataset, dan ekstraksi pola musikal yang kerap dilakukan tanpa persetujuan maupun atribusi kepada pencipta sehingga berpotensi mengabaikan hak moral dan hak ekonomi pencipta. Penelitian ini bertujuan untuk menganalisis apakah pelatihan algoritma dapat dikualifikasikan sebagai bentuk penggandaan karya menurut Undang-Undang Nomor 28 Tahun 2014 Hak Cipta Tentang Hak Cipta serta menelaah implikasinya terhadap perlindungan hak moral pencipta. Penelitian ini menggunakan metode yuridis normatif dengan pendekatan perundang-undangan, konseptual, dan perbandingan terbatas, khususnya dengan mengkaji pengaturan mengenai Text and Data Mining dan tata kelola Uni Eropa. Hasil penelitian menunjukkan bahwa pelatihan algoritma secara normatif memenuhi unsur penggandaan karya, baik bersifat sementara maupun permanen, serta menciptakan pengabaian yang sistematis terhadap hak moral pencipta melalui hilangnya atribusi dan ketertutupan proses kerja algoritma. Oleh karena itu, diperlukan pembaruan hukum yang secara eksplisit mengakui pelatihan algoritma AI sebagai bentuk penggunaan karya berhak cipta guna menjamin perlindungan hak pencipta di era kecerdasan artifisial.

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Cheng-Zhi Anna Huang. et.al, “Music Transformer: Generating Music With Long-Term Structure”, ICRL, Desember 2018.

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