Abstract
Cultural and social capital is important in the development of industrial cluster of ceramic art craft. This paper describes and explains the role of cultural and social capital in the development of industrial cluster of ceramic art craft in Kasongan. This paper also describes and explains the dynamics of domination and resistance among entrepreneurs in the cluster. By using qualitative research methods show that cultural capital is important for the change of the cluster from the one which produce traditional-functional ceramic to the one which produce artistic ceramic. It is also important for upward social mobility among entrepreneurs. Social capital is important for facilitating economic transaction and for making organization or institution doing a good performance. Bourdieu and Putnam’s concept of social capital are complementary in explaining empirical reality of the cluster. The dominant entrepreneurs have tried to maintain their domination by using of symbolic capital and by developing the cluster in the interest of himself and all entrepreneurs.
Bahasa Abstract
Modal budaya dan sosial memiliki peran penting dalam perkembangan klaster industri seni kerajinan keramik. Tulisan ini mendeskripsikan dan menjelaskan peranan modal budaya dan sosial dalam perkembangan klaster industri seni kerajinan keramik di Kasongan serta dinamika hubungan dominasi, subordinasi, dan resistensi di antara para pengusaha. Dengan menggunakan metode penelitian kualitatif, penelitian ini menunjukkan peran penting modal budaya dalam mengubah klaster dari yang semula memproduksi keramik tradisional-fungsional menjadi klaster yang memproduksi keramik artistik. Modal budaya juga penting bagi mobilitas ke atas di antara para pengusaha. Modal sosial dalam bentuk jaringan sosial penting dalam memfasilitasi proses transaksi dan pemasaran keramik serta memungkinkan organisasi dan institusi bekerja dengan baik. Konsep modal sosial Bourdieu dan Putnam bersifat saling melengkapi untuk menjelaskan realitas empiris dalam klaster industri. Pengusaha dominan mencoba untuk mempertahankan dominasinya dengan menggunakan modal simbolik dan mengembangkan klaster demi kepentingan dirinya serta para pengusaha secara keseluruhan.
Recommended Citation
Purwanto, Antonius
(2013)
"Modal Budaya dan Modal Sosial dalam Industri Seni Kerajinan Keramik,"
Masyarakat: Jurnal Sosiologi: Vol. 18:
No.
2, Article 5.
DOI: 10.7454/MJS.v18i2.1235
Available at:
https://scholarhub.ui.ac.id/mjs/vol18/iss2/5
Included in
Critical and Cultural Studies Commons, Development Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Human Geography Commons, International and Area Studies Commons, Nature and Society Relations Commons, Organizational Communication Commons, Sociology Commons
