•  
  •  
 

Jurnal Komunikasi Indonesia

Abstract

Digital era has changed human’s life, including in the practice of fandom. It results in a much broader dissemination of fans-related products produced by the fans, such as alternative universe (AU) as part of fan fiction. In addition, nowadays, Thailand popular culture is rising, especially with the boys’ love drama series (Thai BL drama) which caught foreign viewers’ interest, including Indonesians. This study explores how AU can be considered as a tool for promoting Thai BL drama which goes to fandom actively involvement in the promotion of a foreign country's cultural product with taboo value. It is a qualitative content analysis of online texts which focuses on three female AU author accounts on X with more than 5,000 followers. It is found that AU does not directly impact on the promotion of Thai BL drama, considering the massive modification on the character, setting, plot, and language due to the creativity of AU authors. It is a unique finding that makes it possible to promote Thai BL actors. Finally, it will promote Thai BL drama which the actors are part of, which can be understood from the replies and quotes of X users as AU readers

Bahasa Abstract

Era digital telah mengubah kehidupan manusia, termasuk dalam praktik fandom. Hal ini menghasilkan penyebaran yang lebih luas dari produk-produk terkait penggemar yang dihasilkan oleh para penggemar, seperti Alternate Unverse (AU) sebagai bagian dari fanfiction. Selain itu, budaya populer Thailand saat ini sedang naik daun, terutama dengan serial drama boys love/ drama cinta antar laki-laki (drama BL Thailand) yang menarik minat pemirsa luar negeri, termasuk masyarakat Indonesia. Penelitian ini mengeksplorasi bagaimana AU dapat dianggap sebagai alat untuk mempromosikan drama BL Thailand yang mengarah ke keterlibatan aktif fandom dalam mempromosikan produk budaya negara asing yang memiliki nilai tabu. Ini adalah analisis konten kualitatif teks online yang berfokus pada tiga akun penulis AU wanita dari Indonesia di X dengan lebih dari 7.000 pengikut. Ditemukan bahwa AU tidak berdampak langsung pada promosi drama BL Thailand, mengingat modifikasi besar-besaran pada karakter, setting, plot, dan bahasa akibat kreativitas penulis AU. Ini adalah temuan unik yang memungkinkan tidak hanya sekedar mempromosikan drama, tetapi juga aktor BL Thailand. Terakhir, justru AU ini merupakan media promosi untuk projek lain dari para aktor pemain drama BL Thailand, yang dapat dipahami dari balasan dan kutipan pengguna X sebagai pembaca AU.

References

Appadurai, A. (1990). Disjuncture and difference in the global cultural economy. Theory, culture & society, 7(2), pp. 295-310. https://doi.org/10.1177/026327690007002017

Baudinette, T. (2024). Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture. London: Bloomsbury Academic.

Bennett, L. (2020, September 10). Reasons Why Twitter Likes are Important. iLounge. Retrieved October 15, 2023, from
https://www.ilounge.com/articles/reasons-why-twitter-likes-are-important

Black, R. W. (2009). Online fan fiction, global identities, and imagination. Research in the Teaching of English, 43(4), pp. 397-425.

Bulearca, M. & Bulearca, S. (2010). Twitter: A Viable Marketing Tool for SMEs?. Global Business and Management Research: An International Journal, 2(4), pp. 296-309.

Chin, B. & Morimoto, L. H. (2013). Towards a theory of transcultural fandom. Participations: Journal of Audience & Reception Studies, 10(1), pp. 92-108.

Clark, M. (2022, December 23). Twitter is now showing everyone how many views your tweets get. Retrieved September 30, 2023, from https://www.theverge.com/2022/12/21/23522064/twitter-view-count-roll-out-personal-info

CNN Indonesia (2020, September 13). Nilai dan Kedekatan, Alasan Drama Thailand Digandrungi . Retrieved September 10, 2023, from https://www.cnnindonesia.com/hiburan/20200910164332-220-545033/nilai-dan-kedekatan-alasan-drama-thailand-digandrungi

Coppa, F. (2006). A Brief History of Media Fandom. In K. Hellekson & K. Buse (Eds.), Fan fiction and fan communities in the age of the Internet (pp. 41-59). North Carolina: McFarland & Company, Inc., Publishers.

Dangrankeyi (2023). As requested, here's my recap on P'Tha interview on "Secret of Y Series" on The Secret Sauce channel. Retrieved October 15, 2023, from https://www.reddit.com/r/GMMTV/comments/173cfn2/as_requested_heres_my_recap_on_ptha_interview_on/

DeGuzman, C. (2022). Thailand’s Boys’ Love Dramas Are Changing the Way Many People View Gay Romance. TIME. Retrieved September 10, 2023, from
https://time.com/6208817/thailand-bl-dramas-popularity/

DreamscapePH. (2020, October 14). #DarkBlueKiss starring Tay Tawan and New Thitipoom. Retrieved July 20, 2024, from https://twitter.com/DreamscapePH/status/1316306208899264512

Duffett, M. (2013). Understanding Fandom: An introduction to the study of media fan culture. New York: Bloomsbury Publishing Plc.

Dugong. (2020). Importing Thai BL series to Japan. Medium. Retrieved July 20, 2024 from https://medium.com/@satomi_oya/importing-thai-bl-series-to-japan-288b6f084c22

Fang, J. (2021). Functional Character in Fan Fiction: A Case Study of The Lord of the Rings’ Alternative Universe Fan Fiction for Every Evil. Studies in Linguistics and Literature, 5(1), pp. 70-80. http://dx.doi.org/10.22158/sll.v5n1p70

Finn, K. M. & McCall, J. (2016). Exit, pursued by a fan: Shakespeare, Fandom, and the Lure of the Alternate Universe. Critical Survey, 28(2), pp. 27-38.

He, H., Li, X., Tavsel, M., & Zhou, R. (2022). A Literature Review on Fans’ Identity Construction: 2021 International Conference on Public Art and Human Development (ICPAHD 2021), Kunming, China. https://doi.org/10.2991/assehr.k.220110.082

Hesse-Biber, S. N. (2017). The practice of qualitative research: Engaging students in the research process (3rd edition). SAGE.

Jenkins, H. (1992). Textual poachers: television fans and participatory culture. London: Routledge.

Jirattikorn, A. (2018). Thai Popular Culture: A New Player in Asia Media Circulation and Chinese Censorship. Center for Southeast Asian Studies, Kyoto University Newsletter, 76, 7–9.

Kang, H. K. (2023). Hallyu inspires Thailand to mull ways to export its culture. Retrieved September 10, 2023, from https://www.koreatimes.co.kr/www/nation/2023/10/113_352019.html

Kartiko, C. & Salim, P. O. (2022). 4 Pillar GMMTV Siap Temui Penggemar pada Agustus 2022 Mendatang, Siapkan Dirimu. Yoursay.id. Retrieved July 20, 2024, from https://yoursay.suara.com/entertainment/2022/08/10/200059/4-pillar-gmmtv-siap-temui-penggemar-pada-agustus-2022-mendatang-siapkan-dirimu

Kotler, P. (2000). Marketing Management, Millenium Edition. Boston: Pearson Custom Publishing.

Kurdek, L. A. (2006). Differences Between Partners from Heterosexual, Gay, and Lesbian Cohabiting Couples. Journal of Marriage and Family, 68(2), 509–528. https://doi.org/10.1111/j.1741-3737.2006.00268.x

Lacasa, P., Fuente, J. d. l., Garcia-Pernia, M. & Cortes, S. (2017). Teenagers, Fandom, and Identity. Persona Studies, 3(2), 51-65. https://doi.org/10.21153/ps2017vol3no2art648

Masrina, D. & Chairil, A. M. (2021). Membicarakan Perempuan di Dalam Serial Boy's Love Thailand (pp. 157-180). In P. Wahyuni, A. Irma & S. Arifin (Eds). Perempuan: Perempuan dan Media Volume II. Aceh: Syiah Kuala University Press.

McHarry, M. (2011). (Un)gendering the Homoerotic Body: Imagining Subjects in Boys’ Love and Yaoi. Transformative Works and Culture, 8. https://doi.org/10.3983/twc.2011.0257

McIntosh, H. & Cuklanz, L. (2017). Researching Mass Media: Images and Texts. In The Practice of Qualitative Research (pp.351-371). California: Sage Publications.

My DramaList (2019). Dark Blue Kiss (2019). Retrieved September 10, 2023, from
https://mydramalist.com/31858-dark-blue-kiss

Ng, S. (2012). A Brief History of Entertainment Technologies. Proceeding of the IEEE, 100 (Special Centennial Issue),10, 1386-1390. https://doi.org/10.1109/JPROC.2012.2189805

Nissa, R. S. I. (2023). Wisatawan Jalur Drama Thailand Semakin Banyak, Thai Pop Culture Bakal Saingi Korean Wave? Retrieved September 10, 2023, from https://www.suara.com/lifestyle/2023/02/03/095606/wisatawan-jalur-drama-thailand-semakin-banyak-thai-pop-culture-bakal-saingi-korean-wave

Okazaki, S. & Taylor, C. (2013). Social media and International Advertising: theoretical challenges and future directions. International Marketing Review, 30(1), 56-71. https://doi.org/10.1108/02651331311298573

Peng, R. (2023). An Empirical Research on the Cultural Production of Online Fan Communities Based on Celebrity Micro-blog Super Topic. Journal of Humanities and Social Sciences Studies, 5(6), pp. 1-6. https://doi.org/10.32996/jhsss.2023.5.6.1

Rachmawati, J. I., Warto, W. & Pitana, T. S. (2020). Presenting Local Wisdom: A Multimodal Analysis of Sedekah Gunung Merapi Video as a Tourism Promotion in Boyolali Regency. Jurnal Komunikasi Indonesia, 7(3), pp. 1-12.

Salonga, R. (2020). More Thai BL series to invade local streaming. Retrieved July 24, 2024 from https://web.archive.org/web/20200926183054/https://dzrhnews.com.ph/more-thai-bl-series-to-iw22nvade-local-streaming/

Sauro, S. (2020). Fan Fiction and Informal Language Learning. In M. Dressman & R. W. Sadler (Eds.) The Handbook of Informal Language Learning (1st ed., pp. 139-152). 1st ed. Hoboken: John Wiley & Sons Ltd.

Shepherd, J. (2004). Why the Digital Era? In G. Doukidis, G. N. Mylonopoulos & N. Pouloudi (Eds.) Social and Economic Transformation in the Digital Era (pp. 36-71). Hershey: Idea Group Publishing.

Straker, K. & Wrigley, C. (2016). Designing an emotional strategy: strengthening digital channel engagements. Business Horizons, 59(3), pp. 339-346. https://doi.org/10.1016/j.bushor.2016.01.010

Thai BL. (2022). Top 15 Most Viewed GMMTV BL Series on YouTube 2019- Youtube. Retrieved July 20, 2024, from https://www.youtube.com/watch?v=6hx7SuYQsJM

Thomas, E. E. & Stornaiuolo, A. (2016). Restorying the Self: Bending Toward Textual Justice. Harvard Educational Review, 86(3), p. 313–338. https://doi.org/10.17763/1943-5045-86.3.313

Thorn, M. (2004). Girls and Women Getting out of Hand: The Pleasure and Politics of Japan’s Amateur Comics Community. In W. W. Kelly (Ed.) Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press.

Tim Badan Bahasa (2023). Kementerian Pendidikan dan Kebudayaan. Retrieved September 10, 2023, from https://www.kemdikbud.go.id/main/blog/2023/03/balai-bahasa-yogyakarta-jaring-masukan-dari-pemangku-kepentingan-guna-merevitalisasi-bahasa-daerah

Welker, J. (2015). A Brief History of Shounen’ai, Yaoi and Boys Love. In M. McLelland, K. Nagaike, K. Suganuma & J. Welker (Eds.) Boys Love Manga and Beyond: History, Culture, and Community in Japan (pp. 42-75). Missisippi: University Press of Mississippi, pp. 42-75.

Yang, Q. (2022). The Impact of Fan Culture on China’s Film Industry. Journal of Education, Humanities and Social Sciences, 4, 136-140. https://doi.org/10.54097/ehss.v4i.2735

Zsila, Á. & Demetrovics, Z. (2017). The boys’ love phenomenon: A literature review. Journal of Popular Romance Studies, 6, 1-17.

Share

COinS