•  
  •  
 

Abstract

The policy of sustainable production has encouraged small batik businesses to shift to natural dyes as these are considered eco-friendly. However, the motivation behind juragan batiks’ embracing natural dyes still has some question marks attached. This qualitative study explains the motivation of the juragan batiks in using natural colourants in their production of batik warna alam and explores the significance of batik warna alam to juragan batik. We found the production of batik warna alam tended to be triggered by economic reasons not environmental consciousness. This related to the meaning of batik warna alam to maintaining the economic survival of the juragans. Juragans are convinced that batik warna alam is eco-friendly according to the indicators to which they subscribe: (1) the materials are found in their immediate surroundings; (2) the process causes no pollution or environmental destruction; and (3) the production does not pose a health threat to people, including workers. This study provides the insight that an eco-friendly-labelled production might not necessarily be motivated by a high level of environmental consciousness.

References

Bhattacharjee, J. and M. L. Reid. 2011. “Revolution of colors; Impact on our fragile environment”, in: Sri Ashis Mitra and Arabinda Mondal (eds), National workshop and seminar on vegetable dyes and its application on the textiles, pp. 117-121. India: Visva Bharati.

EKONID (German-Indonesian Chamber of Commerce). 2012. “EU-switch Asia program; Clean batik initiative” [Report.]

Elliott, I. M. 2004. Batik; Fabled cloth of Java. New York, NY: Periplus.

Hamzuri. 1981. Classical batik. Jakarta: Djambatan.

Handayani, W. and A.I. Kristijanto. 2014. "Narasi air dan perempuan dalam teknologi daur ulang limbah batik di Masaran, Sragen", in: Dewi Candraningrum (ed.), Ekofeminisme II; Narasi iman, mitos, air, dan tanah, pp. 251-268. Yogyakarta: Jalasutra.

Handayani, W., A.I.R. Hunga, and A.I. Kristijanto. 2016. “Potret batik ramah lingkungan dalam bingkai produksi berkelanjutan”, in: Arianti I. R. Hunga and Dewi Candraningrum (eds). Matra SDG’s (Sustainable Development Goals) dalam penghapusan kekerasan, trafficking, dan pemberdayaan ekonomi, pp. 231-253. Palembang: Kementerian Pemberdayaan Perempuan dan Perlindungan Anak.

Handayani, W., A. I. Kristijanto, and A. I. R. Hunga. 2018. “A water footprint case study in Jarum village, Klaten, Indonesia; The production of natural- colored batik”, Environ Dev Sustain (2018). [Retrieved from: https://doi. org/10.1007/s10668-018-0111-5].

Hunga, A. I. R. 2014. Protecting women’s domestic area and environment; Study on eco-friendly batik, Indonesian Feminist Journal 2: 82-105.

Klein, H. K. and D. L. Kleinman. 2002. “The social construction of technology; Structural considerations”, Science, Technology, Human Values 27(1): 28-52.

Maulik, R., L. Bhowmik and K. Agarwal. 2014. “Batik on handloom cotton fabric with natural dye”, Indian Journal of Traditional Knowledge 13(4): 788-794.

Otero, M. et al. 2011. “Methods of analysis for a sustainable production system”, in: Juan A. Blanco and H. Kheradmand (eds), Climate change; Research and technology for adaptation and mitigation. [DOI: 10.5772/24237. Retrieved from: http://www.intechopen.com/books/climate-change- research-and-technology-for-adaptation-and-mitigation/methods-of- analysis-for-a-sustainable-production-system, accessed on 27-5-2015].

Pimenova, P. and R. Van der Vorst. 2004. “The role of support programmes and policies in improving SMEs environmental performance in developed and transition economics”, Journal of Cleaner Production, 12: 549-559.

Raffles, T. S. 1817. The history of Java (Volume 1). Kuala Lumpur: Oxford University Press.

Ricoeur, P. 1966. Freedom and nature; The voluntary and involuntary (Translated by E.V. Kohak). USA: Northwestern University Press.

Roy, T. K. G. 2011. “Eco-friendliness of natural dyes”, in: Sri Ashis Mitra and Arabinda Mondal (eds), National workshop and seminar on vegetable dyes and its application on the textiles, pp. 65-69. India: Visva Bharati.

Saravanan, P., G. Chandramohan, and S. Saivaraj. 2012. “A study on eco- friendly dye obtained from barks of Ficus Religiosa. L on cotton fabric, World Journal of Applied Environmental Chemistry 1(1): 30-34.

Saxena, S. and A. S. M. Raja. 2014. “Natural Dyes: Sources, Application, Chemistry, and Sustainability Issues”, in: Subramanian S. Muthu (ed.), Roadmap to sustainable textiles and clothing pp. 37-80. Singapore: Springer Science and Business Media.

Soebaryo, R. W. 2012. “Batik manufacturing workers”, in: Thomas Rustemeyer et al. (eds). Kanerva’s occupational dermatology, pp. 1289-1295. Heidelberg: Springer Verlag.

Subki, N. S., R. Hashim, and N. Z. Muslim. 2014. “Heavy metals analysis of batik industry wastewater, plant, and soil samples; A comparison study of FAAS and HACH colorimeter analytical capabilities”, in: Aris A.Z et al. (eds), From sources to solution pp. 285-289. Singapore: Springer Science and Business Media.

Swisher, S. 2006. “Sustainable production; Definition, comparison, and application”. The Park Place Economist 14(1): 88-95.

UNESCO. 2013. “Education and training in Indonesian batik intangible cultural heritage in Pekalongan, Indonesia”. [Retrieved from: http:// www.unesco.org/cilture/ich, accessed on 27-8-2015].

United Nations for Environmental Program. 2015. “Sustainable consumption and production and the SDG’s. UNEP Post 2015#2. [Retrieved from http:// www.unep.org/post2015/Portals/ 50240/Documents/unep_post_2015_ note_2.pdf, accessed 29-6-2015].

Veleva, V. and M. Ellenbecker. 2001. Indicators of sustainable production; framework and methodology. Journal of Cleaner Production 9: 519-549.

Share

COinS