Abstract
An architectural object interacts with its user through its functional and formal qualities. However, when stripped of these attributes, it discloses the potential to transform the phenomenal system it inhabits alongside the subject. Drawing on Martin Heidegger’s hammer analysis and Bruno Latour’s Actor-Network Theory, this study explores the relationship between a user and an architectural object that lacks a predefined form or function. It examines how the subject’s intervention can reconfigure such an object into a quasi-object. This relationship establishes a conceptual bridge that can be read through both phenomenological and relational frameworks. In this domain, where spatial boundaries and interiority are renegotiated, the assemblage of heterogeneous elements gives rise to new actor-network configurations. By approaching Villa Verde as a quasi-object and comparing user experiences before and after intervention, this research moves beyond traditional concerns of design, construction, and aesthetics. Ultimately, it aims to demonstrate how architectural objects are reproduced and transformed within collective practices.
Publication Date
7-29-2026
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Submitted Date
2024-09-28
Accepted Date
2026-04-27
First Page
283
Last Page
304
Recommended Citation
Cestel, T., & Kaymaz, S. (2026). Villa Verde as a Quasi-Object: The Renegotiation of Spatial Boundaries and Interiority. Interiority, 9 (2), 283-304. https://doi.org/10.7454/in.v9i2.1136
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