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Abstract

This study investigates the Shishinden, the principal ceremonial hall of the Kyoto Imperial Palace, as a site where spatial hierarchy, ritual movement, and material atmosphere converge to construct a unique form of interiority. Rather than treating the hall merely as a stylistic or historical artifact, the paper analyses how interior experience is actively produced through embodied ritual practices, symbolic spatial organisation, and sensory orchestration. By focusing on the interaction between architecture, politics, and cultural cosmology, the study demonstrates how the Shishinden functions as an affective interior that communicates imperial authority and sacred order. The findings contribute to contemporary interiority discourse by highlighting how ritual space can operate as both a physical and symbolic system of meaning.

Publication Date

1-30-2026

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Submitted Date

2025-02-09

Accepted Date

2026-01-21

First Page

139

Last Page

160

Authors' Bio

İlknur Yüksel Schwamborn
ilknuryuksel1@gmail.com
https://orcid.org/ 0000-0002-4562-7937

İlknur Yüksel Schwamborn is an independent researcher and architect. She completed her last education Proficiency in Interior Architecture at Mimar Sinan Fine Arts University, Türkiye. She completed both her bachelor's and master's studies in the Department of Architecture at the same university. The research discussed the main building of the Japanese palace, Shishinden, in the context of interiority, beyond its architectural function.

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Author(s) retain the copyright of articles published in this journal, with first publication rights granted to Interiority.

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