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Abstract

After the Second World War, manufacturing plants were no longer needed for wartime production levels, prompting the closure and repurposing of industrial facilities that became obsolescent overnight across the United States and in the manufacturing region of Southeastern Michigan. Located twenty miles west of Detroit, the Willow Run airfield in Ypsilanti was one such case. Best known for the massive B-24 Liberator manufacturing plant designed by Albert Kahn that opened in 1942 as Air Force Plant 31, the airfield played a key role in ending the war. Just to the south, a Kahn-designed hangar was loosely repurposed in 1946–1947 as a provisional passenger air terminal. A second renovation began in 1955, when the Airlines National Terminal Service Company (ANTSC) commissioned the firm of Yamasaki, Leinweber and Associates (YLA) to complete interior renovations to keep airlines from abandoning the airport in favour of the newer, larger, and more proximate to downtown, Detroit-Wayne Major Airport. Led by project architect Manfredi Nicoletti under the direction of Minoru Yamasaki, the renovation centred on a ceiling of suspended plastic coffers that created a spectacular backdrop against which passengers prepared to take flight. Even as the project came to fruition, it was clear that the future of the air terminal had already passed, and its eventual obsolescence was inevitable. Despite the project’s shortcomings, the interior renovation of the hangar-turned-terminal sheds light on the repurposing of large, flexible buildings and the employment of formal experimentation in the postwar United States.

Publication Date

7-31-2025

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Submitted Date

2024-09-25

Accepted Date

2025-07-23

First Page

231

Last Page

254

Authors' Bio

Joss Kiely
kielyjn@ucmail.uc.edu
https://orcid.org/0000-0002-6130-1531

Joss Kiely is an Associate Professor at the School of Architecture and Interior Design at the University of Cincinnati, where he teaches courses in architectural history and design studios. He holds two master's and a PhD in Architecture from the Taubman College at the University of Michigan. His research agenda includes the master plan at midcentury as produced by architecture firms, as well as the rise of an 'itinerant modern' style that fueled the rise of the global, postwar architectural practice. Kiely has published articles, book reviews, and criticism in various journals, most recently in Fabrications (2024), the Journal of Urban Affairs (2023), Arris (2022), the Journal of Architectural Education (2021), and a special issue of Arts (2019). He is currently finalising a co-authored manuscript with Michael Abrahamson entitled Master Plan: Soft Power and the Politics of Architectural Expertise, under contract with Princeton University Press (2027).

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