International Review of Humanities Studies
Abstract
Shadow puppets are very popular in Southeast Asia. The foreign culture that is present in this area has a strong enough influence on the growth and existence of local culture. Stories were brought and spread by the Indians at the beginning of the Christian era as material developed through their local intelligence. Two geographical areas that are unique in Malay culture are important and deserve attention, namely Malaysia and Thailand. Kelantan Malay shadow puppets cannot be separated from the influences inherent in them, namely Java and Thailand. The plays that are shown revolve around Rama's struggle to get Sita, who is assisted by his younger brother, Laksmana. Nasir's play Sita's Mariage Contest deserves to be appointed as an object of study on the grounds that the mythical and magical content is very strong and Malay local wisdom is in contact with Javanese and Pattani localities in Thailand. The data is downloaded from https://www.youtube.com/watch?v= DbA53E3M0Zw. To examine the data, a qualitative descriptive method is needed, as well as a theoretical framework of narrative strategies, namely sanggit play and work on pakliran. The results of the study show that sanggit play, which is the power of knowledge of the dalang, is packed with mythical and magical content and combines genealogy, tradition, and local conventions of Malay (Malaysia), Javanese (Indonesian), and Pattani (Thailand) armed with the power of imagination, intuition, sensitivity, intellectuality, and mastery of cultural codes. The work on pakliran combines ethics and aesthetics that describe local wisdom with the implementation of acculturation and adaptation as a Malay cultural identity.
References
Alias, Muhamad. (1977). Intelijensia Melayu Kelantan. Kota Bharu, Kelantan, Kuala Lumpur:
Publisher.
Bin, Abdul Ghani, D. (2012): Wayang Kulit Kelatan: Tantangan Antara Media Tradisional dan
Digital di Teater Pyppetry.Arte, Individuo y Sociedad, 24(1), 135-146
Blackham, Olive. (1960). Shadow Puppets. London: Barrie and Rockliff.
Ciptoprawiro, Abdullah. (1986). Filsafat Jawa. Jakarta: Balai Pustaka.
Creswell, John W. (2010). Research Design: Pendekatan Kualitatif, Kuantitatif, dan Mixed.
(Achmad Fawaid, translator). Yogyakarta: Pustaka Pelajar.
Damono, Sapardi Djoko. (2012). Alih Wahana. Jakarta: Editum
Darmoko. (2017). “Wayang Kulit Purwa Lakon Semar Mbabar Jatidiri: Sanggit dan Wacana
Kekuasaan Soeharto”. Disertation. Faculty of Cultural Sciences. Literature Study
Program. Depok.
Darmoko. (2020). Wacana Kekuasaan dalam Wayang: Pertarungan Sanggit Plitik dan San Estetik dalam Wayang Kulit Purwa Lakon Semar Mbabar Jatidiri. Depok: Pusat Dokumentasi Seni Indonesia.
Endraswara, S. (2003). Mistik Kejawen: Sinkretisme, Simbolisme, dan Sufisme dalam Budaya
Spiritual Jawa. Penerbit Narasi.
------------------- (2016). Ekokritik Sastra. Yogyakarta: Morfalingua.
Feinstein, Alan. (1986). Lakon Carangan. Surakarta: Proyek Dokumentasi Lakon Carangan
Akademi Seni Karawitan Indonesia (ASKI)
Suseno, Franz Magnis. (1993). Etika Jawa: Sebuah Analisa Filsafat Tentang Kebijaksanaan Hidup Jawa. Jakarta: Gramedia Pustaka Utama.
Ibrahim, Mohd Asri Che, and Shukeri Bin Mohamad. (2018). Pelaksanaan Dasar Kesenian Di
Negeri Kelantan Dari Tahun 1990 Hingga 2015: Analisis Menurut Siasah Syar‘Iyyah.
Jurnal Islam dan Masyarakat Kontemporer. Kelantan.
Kia, Khor Kheng. (2014). Digital Puppetry 0f wayang Kulit Kelantan” A study of Its Visual
Aesthetics. Kuala Lumpur: Culture Centre University of Malaya.
Luxemburg, Jan van. dkk. (1984). Pengantar Ilmu Sastra. (Dick Hartoko, translator). Jakarta: PT Gramedia.
Mohd Pozi Hj Masurori. (2004). ‘Sinkretisme antara Mitos Hindu dan Jawa dalam Hikayat
Hang Tuah’ dalam Tamadun Melayu, Jld 7. Godn Bahasa dan Pustaka: Kuala Lumpur.
Mulder, Niels. (1985). Pribadi dan Masyarakat di Jawa. Jakarta: Sinar Harapan.
Mulder, Niels. (2001). Misistisisme Jawa. Ideoogi di Indonesia. Yogyakarta: LkiS.
Murtiyoso, Bambang. (1981). “Pengetahuan Pedalangan”. Proyek Pengembangan IKI,ASKI
Surakarta.
Nik Mohamed Mohd Salleh. (1985). Perkembangan Pendidikan Atau Pengajian Islam di Negeri
Kelantan, dalam Warisan Kelantan IV, Perbadanan Muzium Negeri Kelantan, Kota Bharu, Kelantan, United Selangor Press Sdn.Bhd.
Nik Mohammed Mohd Salleh. (1985). Perkembangan Pendidikan Atau Pengajian Islam di
Negeri Kelantan, dalam Warisan Kelantan IV, Perbadanan Muzium Negeri Kelantan, Kota Bharu, Kelantan, United Selangor Press Sdn.Bhd.
Nojowirongko, M.Ng.(1960). Serat Tuntunan Pedalangan Tjaking Pakeliran Lampahan Irawan
Rabi. Yogyakarta: Tjabang Bagian Bahasa Jogjakarta Djawatan Kebudajaan Departemen P.P dan K.
Nurulain. (2016). Pergerakan Patung Wayang Kulit Kelantan: Perdalangan Yusoff Bin Mamat.
Pusat Kebudayaan Universiti Malaya Kuala Lumpur.
Peursen, C.A. van (1989). Strategi Kebudayaan. Yogyakarta: Kanisius.
Poerwadarminta W.J.S. (1976). Kamus Umum Bahasa Indonesia. PN Balai Pustaka. Jakarta
Prawiraatmadja, S. (1981). Bausastra Jawa-Indonesia. Jakarta: Gunung Agung.
Riyanto, Bedjo. (2011). Wayang Purwa dan Tantangan Teknologi Media Baru. Jurnal Desain
Komunikasi Visual Nirmana. Nol. 13, No.1, Januari 2011: 5-11.
Sachithanantham, Singaravelu. (2004). The Ramayana Tradition in Souteast Asia. Kuala
Lumpur: University of Malaya Press.
Samin, Suwardi Mohammad. (1991) Budaya Melayu dalam Perjalannya Menuju Masa Depan.
Yayasan Penerbit MSI Riau.
Sheppard M. (1986). A Royal Pleasure Ground Malay Decorative Arts and Pastimes, Oxford
University Press Pte. Ltd. Singapore.
Solichin dan Suyanto. Pendidikan Budi Pekerti dalam Pertunjukan Wayang.Jakarta
Sumanto. (2007). Dasar-dasar Garap Pakeliran” dalam Teori Pedalangan Bunga Rampai
Elemen-elemen Dasar Pakeliran. Editor Suyanto. Surakarta: ISI Press Surakarta.
Suratno, (2003). “Studi Tentang Lakon Wahyu Dalam Pakeliran Wayang Kulit Purwa di
Surakarta dalam Satu Dekade Terakhir” hasil penelitian program DUE-LIKE STSI Surakarta.
Sunoto. (1987). Menuju Filsafat Indonesia. Yogyakarta: PT Hanindita.
Sutrisno, Mudji. (1994). Estetika: Filsafat Keindahan. Yogyakarta: Kanisius
Teeuw, A. (1991). Membaca dan Menilai Sastra. Jakarta: Gramedia.
Interview
One of the contents of the interview in the dissertation entitled “Pergerakan Patung Wayang
Kulit Kelantan: Perdalangan Yusoff bin Mamat”. Kelantan (15 May 2014, 13 May
2015). About the story of the Ramayana in Kelantan, and some of Ghulam Sarwar's
opinions about the origins of the characters in the Ramayana story.
One of the contents of the interview via social media with Helmie (10 Januari 2023, 11 Januari
2023, 12 Januari 2023). About how life is in Malay, Wayang Kelantan, and some Pattani
influences in Malay.
Daily News
Daily news excerpt for May 11, 2011, in Jurnal Pelaksanaan Dasar Kesenian Di Negeri
Kelantan Dari Tahun 1990 Hingga 2015: Analisis, Siasah Syar‘Iyyah Mohd Asri Che Ibrahim Shukeri Bin Mohamad.
Recommended Citation
Widagdo, Bimo Sinung and Darmoko, Darmoko
(2023)
"NARRATIVE STRATEGY AND THEATRICAL CREATIVITY IN PAK NASIR'S SITA MARRIAGE CONTEST,"
International Review of Humanities Studies: Vol. 8:
No.
1, Article 21.
DOI: 10.7454/irhs.v8i1.1020
Available at:
https://scholarhub.ui.ac.id/irhs/vol8/iss1/21