•  
  •  
 

Abstract

This paper proposes a methodological approach to learning about an object's interiority, embracing two schools of thought that largely revolve around the study of objects: one that concerns the object's substance, and the other that concerns the object's relationality. In particular, the study sees an opportunity to reveal object's relationality through a deep understanding of the object's substance. In achieving the objective, the presented study found a resonating notion in the concept of interiority, which is understood as an inward-outward dialectic. Thinking of object with interiority posits a process of disassembling object's substance for building inward awareness. This study further attempt to consider how the disassembled object's substance relates to one another and, potentially, to another object. For this purpose, the study examined stickers found in Edinburgh's urban spaces. Here, the stickers are disassembled and deconstructed using collage. Collage's position as an artistic system of order—informed by its techniques—is seen as potent for dismantling the stickers' substance while simultaneously projecting their potential to relate to their surroundings. From the creation of the collages—named in this paper as Substance Drawings—the study found that the investigated urban stickers connect objects in the physical and digital worlds. Collaging stickers' substance puts this study as not only contributing in the thinking about what stickers do but also in the broader use of drawing as a method to explore object and its vast intricacy being exist in the space and time we live in.

First Page

93

Last Page

112

References

Bi, X., Xiu, K. W. M., & Yuan, R. (2026). Solitary interiority in Hong Kong public spaces. Interiority, 9(1), 29–60. https://doi.org/10.7454/in.v9i1.1239 

Bodden, S., & Awcock, H. (2024). Stuck up, peeled off, covered up, shared and scribbled out: Doing ordinary politics with political stickers. GeoHumanities, 10(1), 131–149. https://doi.org/10.1080/2373566X.2024.2339848 

Brown, B. (2014). Thing theory. In A. Hudek (Ed.), The object (pp. 58–59). Whitechapel Gallery; The MIT Press.

Chilton, G., & Scotti, V. (2014). Snipping, gluing, writing: The properties of collage as an arts-based research practice in art therapy. Art Therapy, 31(4), 163–171. https://doi.org/10.1080/07421656.2015.963484 

Cran, R. (2017). Collage in twentieth-century art, literature and culture: Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. Routledge.

De Rijke, V. (2023). The And Article: Collage as research method. Qualitative Inquiry, 30(3–4), Article 107780042311659. https://doi.org/10.1177/10778004231165983 

Garcia, T. (2014). Introduction. In Form and object: A treatise on things (M. A. Ohm & J. Cogburn, Trans., pp. 1–16). Edinburgh University Press.

Harman, G. (2018). Object-oriented ontology: A new theory of everything. Pelican Books.

Königk, R. (2025). Animal interiority: Sentience and spatial perception. Interiority, 8(2), 153–178. https://doi.org/10.7454/in.v8i2.1116 

Latour, B. (1996). On interobjectivity. Mind, Culture, and Activity, 3(4), 228–245. https://doi.org/10.1207/s15327884mca0304_2 

Lucero, J. (Ed.). (2016). Mere and easy: Collage as a critical practice in pedagogy: a collection of articles from visual arts research. University of Illinois Press.

McCarthy, C. (2005). Toward a definition of interiority. Space and Culture, 8(2), 112–125. https://doi.org/10.1177/1206331205275020 

Miller, K. (2008). Thing and object. Acta Analytica, 23(1), 69–89. https://doi.org/10.1007/s12136-008-0021-5 

Miller, K. (2014). Thing and object. In A. Hudek (Ed.), The object (pp. 63–64). Whitechapel Gallery; The MIT Press.

Morton, T. (2013). Hyperobjects: Philosophy and ecology after the end of the world. University of Minnesota Press.

Nail, T. (2021). The flow of matter. In Theory of the object (pp. 23–30). Edinburgh University Press.

Ordia, K. L. (2026). Unplanned public nature interiority. Interiority, 9(2), 187–206. https://doi.org/10.7454/in.v9i2.1264 

Pallasmaa, J. (2023). Collages of the mind. In J. A. E. Shields (Ed.), Collage and architecture (2nd ed., pp. ix–xii). Routledge.

Panori, A. (2024). Space connectors: From physical to digital. In Digitally disrupted space: Proximity and new development opportunities for regions and cities (pp. 47–69). Elsevier. https://doi.org/10.1016/B978-0-443-14150-8.00007-9 

Paramita, K. D., Yatmo, Y. A., Atmodiwirjo, P., & Suryantini, R. (2024). Multispecies contact zones: The entangled interior grounds of domestic livestock keeping. Interiors, 13(1), 1–25. https://doi.org/10.1080/20419112.2024.2335022 

Pringle, P. (2005). Spatial pleasures. Space and Culture, 8(2), 141–159. https://doi.org/10.1177/1206331205274786 

Reershemius, G. (2019). Lamppost networks: Stickers as a genre in urban semiotic landscapes. Social Semiotics, 29(5), 622–644. https://doi.org/10.1080/10350330.2018.1504652 

Siddiqui, I. (2010). Tessellated Floorscape (2010-): Interior acts of production, siting and participation. IDEA JOURNAL, 10(1), 42–53. https://doi.org/10.37113/ideaj.v0i0.123 

Singal, M. (2022). Interiority of agraharam: Traditional houses in temple towns of India. Interiority, 5(1), 75–96. https://doi.org/10.7454/in.v5i1.190 

Talu, N. (2022). A cluster of surprise egg toys as designed objects at the intersection of design and culture. The International Journal of Designed Objects, 16(2), 49–74. https://doi.org/10.18848/2325-1379/CGP/v16i02/49-74 

Teston, L. (2020). On the nature of public interiority. Interiority, 3(1), 61–82. https://doi.org/10.7454/in.v3i1.72 

Wahid, A. R. (2013). Living with gadgets: What's inside your bag? Habitechno International Seminar, 175–184.

Wu, J. (2015). Folding paper into light: New material, form, and making. The International Journal of Designed Objects, 9(4), 33–45. https://doi.org/10.18848/2325-1379/CGP/v09i04/38707 

Author Biography

Mochammad Mirza Yusuf Harahap
Mirza is currently pursuing his PhD in Design by Practice at the Edinburgh College of Art, researching urban interiorities as networks and flows of object-relations, using drawing as his main method. Mirza is a lecturer in the Department of Architecture at Universitas Indonesia. His teaching and research practice revolves around reflection-in-action in the creative and design process, inquiring into contemporary forms of interiorisation in various settings, from domestic to urban spaces. He is fascinated by objects' agency and relationality, often using them as a framework for structuring his thinking, particularly on situational interiorisation. He also explores drawing, viewing it as both a process (a verb) and a product (a noun). 

Share

COinS