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Abstract

This paper explores the revitalisation of urban vacant spaces driven by creative and cultural capitals. Such revitalisation reflects a creative placemaking approach and this study aims to investigate architectural strategies used to reshape empty spaces in urban environments in such an approach. The use of a creative placemaking approach provides the possibility of expanding urban renewal methodologies that can capture the dynamic needs and demands of society. The case study used in this research is The Hallway Space Bandung. This research uses qualitative methods with a creative placemaking theoretical framework. Data collection was done by semi-structured interviews and field observations; supported with secondary data collection from social media, online articles, and interview videos. The study found that the vacant space is activated as a youth culture space through engagement with local art communities. Such engagement activates the space through multi-purpose spatial arrangements for creative uses, open-plan spaces for collaborative activities, and utilisation of architectural elements as the platform of art. This paper argues that creative placemaking initiatives enable the appropriation of urban vacant space, establishing new public spaces that are innovative and adaptive to new situations and needs of society.

First Page

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Last Page

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Author Biography

Amanda Magdareta Rompas
Amanda is a postgraduate student in Architecture at Institut Teknologi Bandung, with a major in research. She is particularly interested in research about third place, informal learning space, and creative culture. She obtained her bachelor's degree in Architecture at Universitas Sam Ratulangi with an undergraduate thesis focused on designing a rehabilitation facility for adolescent addiction treatment.

Agus S. Ekomadyo
Agus S. Ekomadyo is an Associate Professor at the School of Architecture, Planning, and Policy Development, Institut Teknologi Bandung Indonesia. Agus S. Ekomadyo was born in Semarang on 16 May 1971. Currently, he is deeply immersed in the development of knowledge in the field of architecture, urbanism, design thinking, cultural innovation, and science and technology studies. In the field of cultural innovation, his research mainly explores the role of architectural objects as mediators for human actors and technical object relationships in frame creation to transform cultural capital into economic capital through social capital. More specifically, he studies public markets as economic and cultural places in Indonesia, where his research findings are published in academic forums and also material for formulating local and national policies regarding public markets in Indonesia.

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